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Calligraphy

Ancient China Art

Calligraphy in ancient china is collectively called an oriental art. It is called that mainly because it serves both as a painting and as a writing technique. When you look at a character of ancient Chinese calligraphy, it looks like something you would find in a modern museum, but it was actually part of their language.

 

Archaeological discoveries has proven that calligraphy was invented 4,500 years ago, but legends of china say that the yellow emperor, a man called Cang Jie invented it 4,600 years ago. No one really knows the answer of when it was invented, but most people think it was roughly 4,000 years ago.

 

The art of calligraphy became popular during the Qin dynasty when it was mostly a form of art. Then it was often used during the Han dynasty, but had more of a word meaning. Calligraphy uses a simple stroke and presentation to convey a basic meaning, which also reveals the culture, feelings and beliefs of the artist.

 

Calligraphy started being painted on pottery and sometimes was carved into jade rocks. It then grew into paintings in the Qin dynasty and rose to a technique of writing in the Han dynasty.

 

There are four basic types of calligraphy in Chinese history. Zhuan-shu (seal character script), was used mainly throughout the Qin dynasty, and is broken up into three parts; early seal character, greater seal character and lesser seal character. Then comes zhenshu, which was used in the Han dynasty. This was a more elaborate writing style than the lesser seal, and was used throughout the Han dynasty. Then came the more modern styles of writing, being caoshu (cursive script), lishu (official script), which are still used today.

 

During the Qin dynasty, the written characters of the many different regions were simplified, and much of the original calligraphy's elaborate carvings and paintings lost meaning to make way for the more efficient Qin dynasties style. You can tell the difference in simplification phases from the early seal character through to the lesser seal character. It follows the pattern of primitive writing to the unification of china, and a more simplified writing.

 

In the Han dynasty, the lesser seal character was traded for zhenshu, which brought back some of the elaborate designs of the original zhuan-shu, or the early seal character.

The above picture is an example of the artist Li Qi Bei, who lived during the Han dynasty. This picture was carved in 156, and is viewed as the "First stele of Han dynasty", or an upright stone or slab with an inscribed or sculptured surface. A stele would be used today as a commemorative tablet in the face of a building, or monument.

 

As you can see, it consists of white characters on a black background. This style of calligraphy is very common in its history. There are 89 pages that make up the whole of this carving, and while the below picture might only be the first of many, they all look very similar.

To this date the meaning of this painting has not been discovered, as no one really knows the exact meaning of any of the carvings or paintings. I would theorize though, that the black background would have something to do with the "non-Chinese people" who were so lacking in their intellect. I would imagine that the white, being a pure color, had something to do with their selves, and how much above the rest of the world they were.